How did pop art challenge beleifs in consumerism Essay -- Essays Paper

How did pop guile challenge beleifs in consumerismIntroductionIn order to discuss pop cunning I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces cig bette the the Statesn movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionistic start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.Roy Liechtenstein, (fig 1) was born in 1923 into to a middle class Magyar family living in New York, there was no artists on e truly side of his family and throughout Liechtensteins schooling there were no art classes. He used to paint in oils and draw, sometimes sketching musicians he aphorism playing in Harlem and the Apollo Theatre as a hobby. It was not until 1939 the summertime of his last year at high school that he enrolled in art classes in the Art S tudents League run by a man called Reginald Marsh. Liechtensteins influences regarding his painting style at this time had been the European avant-garde artists such(prenominal) as Picasso. These cubist and expressionist styles were rejected defile by Marsh who favoured painting the masses of New York life such as carnival scenes, boxing matches and the subways catching the detail in hurry brush strokes, in a non-academic easily placeable way. This style of recognisable American art that used everyday scenes are directly associate to the consumer orientated Pop Art that Liechtenstein was to develop later in his life.Andy Warhol, (fig2) no one, including Warhol him self knows his exact birthday but its thought to be roughly 1928-1931. Born in Forest city Pennsylvania and christened Andrew Warhola (which he changed in 1949 while living in New York). There are sev periodl(prenominal) contradicting stories about his life although he left two autobiographies the factual authenticate s are not known, however his parents emigrated to the States from Czechoslovakia in 1909, his father came first to avoid theme service and his mother nine years later. His father who worked as a coal minor in West Virginia didnt play a big role in brining up Warhol, as he was apart form home allot. After his death Andrew his mother and his brothers had a very poor existence, during school holidays Andrew sold fruit and helped as a window... ...cles for the American consumer only disconnected from there origins Fig5. Warhols idolisation of the super stars of that era is what set him apart from his contemporaries and immortalised him in popular culture the about famous or these being Marilyn Monroe Fig6. And this was no accident as his private goal was to frame a star in his own castigate and he consciously generated a cloak of mystery which made it approximately impossible to distinguish the man from the legend you can only become famous if everybody is talking about you(Warho l). BibliographyAll dressed up (the sixties and the counter culture), Jonathon Green, Pimlico 1999.The 50s, Peter Lewis, Book Club Associates, 1978.Fifties source book, Christopher Pearce , complete(a) imprint W.H Allen & co, 1990Warhol, Klaus Honnef, Benedikt Taschen Verlag Gmbh, 2000Lichtenstein, Janis Hendrickson, Benedikt Taschen Verlag Gmbh, 2000Pop Art, Michael Compton, Feltham-Hamlyn, 1970Pop as art a area of the new super realism, Amaya-Mario, London studio vista, 1965Pop Art U S A UK, Japan catalogue committee (isbny8226086), 1987Cross overs art into pop/pop into art, Walker John A, London Methuen, 1987